Clara looks after everything on the site that does not move: photo sets, promotional stills and the scan archive of vintage spanking magazines. She trained as a photo restorer, which is why thirty-year-old contact sheets from defunct studios come out of her queue looking better than some current releases. Her long-term project is matching unlabelled vintage photo sets to the films they were shot alongside — detective work that has already reunited a few dozen orphaned galleries with their proper titles.
